The chance to obtain the S|C Six
String (virtual guitar emulation) at a Christmas discount was too tempting to
miss. I was not disappointed. Whilst I was not expecting to
replace the sound of real guitars the Six String was handy when voicing up
MIDI files for backing bands or using in arrangements where new original
sounds were required.
There are two 'models' to choose from. The 'Electric' and the
'Acoustic'. These models have many characteristics in common which
include:
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Two pick-up (or
microphone) positions, one for the top three strings and one for
the bottom three strings. These can be moved graphically
using the mouse.
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A plectrum position,
which can also be manipulated with the mouse.
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A Chorus and Delay in
the Effects section.
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Eight String Types
including three 'B' strings, four 'G' strings and a MonoString.
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Common performance
parameters such as 'Pluck', 'Damping' and 'Slap'.
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Physical
characteristics of the strings such as 'Inertia' and
'Elasticity'.
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The following
characteristics specific to the 'Electric' model are
provided.
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A variety of pick-up types
including two variations of each of 'Warm', 'Clear',
'Bright', 'High' and 'Sharp' and a single type for
'Full Range'.
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An Amplifier model which
includes three variations of five amp types including
'Clean', 'Crunchy', 'Digi', 'Heavy' and 'Just EQ'.
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Amplifier controls include 'Pre
EQ', 'Post EQ', 'Distortion', 'Speaker' and 'Volume'
A well rounded modeling
capability gives the electric model a lot of versatility. |
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The 'Acoustic'
model includes:
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A simple but comprehensive
'Body' section which allows selection between many
different body types including 'Body 1', 'Body 2', 'Body
3', 'Western', 'Flamenco' 'Concert 1', 'Concert 2' and
'Western 2'.
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The Body section allows control
over three different formant frequencies and levels.
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A Body parameter called
'Relation' to control the relative strength that the
Strings have versus the Body in effect over the overall
sound.
See animation of these controls
below. |
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