We also revisit an absolute classic in the DAS COMP AI, modeled as an exact sonic replica of a real hardware device and explain the advantages of the way optical behavior of a lamp can give a natural compression in a non-linear fashion not reproducible by other means such as solid state or tube designs, and the musical texture that this phenomenon can impart at the release stage.  If you liked the original, you'll love this digital replica at a fraction of the cost.

It's great to see the knowledge of real studio experience manifesting in a digital format for the benefit of Scope users, as no other platform yields this payload in such a cost effective manner (read 'no second mortgage required here like the old Fairlight days').

When you take that sound and can drive it from a luxurious weighted keyboard controller, you know you're in studio heaven.  Bud's Weiser perspective gives us a journey into weighted territory like no other can.  Thanks Bud.

We also trip down memory lane, looking at ye olde Luna box (the only piece of Scope gear I ever sold and fully regret doing so ever since), the S|C 5.1 Surround Reverb, and a way of using native tape plug-ins via a unique double loopback technique.  Dawman can always be relied upon to trip the light fantastic on his favorite subject (Solaris) and Will has come up with the definitive resource for SDK developers.  Woops, out of space here (ed).